Ascending
1 (Root) - Do
b2 (flat 2) - Di
2 - Re -
#2/b3 - Ri
3 - Mi
4 - Fa
#4/b5 - Fi
5 - Sol
#5/b6 - Si
6 - La
b7 - Li
7 - Ti
8 (Root/Octave) - Do
Descending
8 (Root/Octave) - Do
7 - Ti
b7 - Te
6 - La
#5/b6 - Le
5 - Sol
#4/b5 - Se
4 - Fa
3 - Mi
#2/b3 - Me
2 - Re
b2 (flat 2) - Ra
1 (Root) - Do
1 comment:
In Indian music, the corresponding syllables are:
(Ascending same as Descending)
1 (Root) - Sa
2 - Re
3 - Ga
4 - Ma
5 - Pa
6 - Dha
7 - Ni
8 (Root/Octave) - Sa
The other 5 chromatic notes use the same syllables as above (ie. "2" and "b2" both share the pronounced syllable "Re")
The difference being, the use of an underline below to denote a flat, or a horizontal dash above to denote sharp:
2 and b2 - share Re
3 and b3 - share Ga (use of #2 not used)
4 and #4 - share Ma (use of b5 not used)
6 and b6 - share Dha (use of #5 not used)
7 and b7 - share Ni
#2, b5, and #5 are not used since there is no need for enharmonic respelling of scale movements up or down from lack of harmonic movement
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